Roy Glashan's Library
Non sibi sed omnibus
Go to Home Page
This work is out of copyright in countries with a copyright
period of 70 years or less, after the year of the author's death.
If it is under copyright in your country of residence,
do not download or redistribute this file.
Original content added by RGL (e.g., introductions, notes,
RGL covers) is proprietary and protected by copyright.


ARTHUR B. REEVES

THE DREAM DOCTOR

Cover Image

RGL e-Book Cover©


Ex Libris

First published in Cosmopolitan, August 1913

This e-book edition: Roy Glashan's Library, 2019
Version Date: 2022-06-11

Produced by Matthias Kaether and Roy Glashan
Proofread by Gordon Hobley

All content added by RGL is proprietary and protected by copyright.

Click here for more Craig Kennedy stories


Illustration

Cosmopolitan, August 1913, with "The Dream Doctor"


Illustration


Do you dream? Have you ever heard of Dr. Sigmund Freud, of Vienna? Do you know what he is doing? In the following story, Craig Kennedy solves a baffling murder mystery by searching the soul—by analyzing, according to Dr. Freud's theories, the dreams—of one of the innocent characters in the tragedy. We think Mr. Reeve has rarely done a more clever or brilliant piece of work. In fact, in his Cosmopolitan series, he has lifted the detective story out of a time-worn rut. He has done a thing unusual in fiction—created a new character who is at the same time gripping and interesting. If you have not been reading this series we suggest that now is a good time to begin.




"THIS is Dr. Leslie—the coroner. Can you come to the Municipal Hospital—right away?"

"Right away, Doctor," answered Craig, hanging up the receiver. "Walter, you'll come, too?"

A quarter of an hour later we were in the courtyard of the city's largest hospital. In the balmy sunshine the convalescing patients were sitting on benches or slowly trying their strength, walking over the grass, clad in faded hospital bathrobes.

We entered the office and quickly were conducted by an orderly to a little laboratory in a distant wing.

"What's the matter?" asked Craig, as we hurried along.

"I don't know exactly," replied the man, "except that it seems that Price Maitland, the broker, you know, was picked up on the street and brought here dying. He died before the doctors could relieve him."

Dr. Leslie was waiting impatiently for us. "What do you make of that, Professor Kennedy?"

The coroner spread out on the table before us a folded half-sheet of typewriting and searched Craig's face eagerly to see what impression it made on him.

"We found it stuffed in Maitland's outside coat pocket," he explained.

It was dateless and brief:


Dearest Madeline:

May God in his mercy forgive me for what I am about to do. I have just seen Dr. Ross. He has told me the nature of your illness. I cannot bear to think that I am the cause, so I am going simply to drop out of your life. I cannot live with you, and I cannot live without you. Do not blame me.

Always think the best you can of me, even if you could not give me all. Good-bye.

Your distracted husband,

Price.


At once the idea flashed over me that Maitland had found himself suffering from some incurable disease and had taken the quickest means of settling his dilemma.

Kennedy looked up suddenly from the note.

"Do you think it was a suicide?" asked the coroner.

"Suicide?" Craig repeated. "Suicides don't usually write on typewriters. A hasty note scrawled on a sheet of paper in trembling pen or pencil, that is what they usually leave. No, some one tried to escape the handwriting experts this way."


Illustration

"Suicide?" Craig repeated. "Suicides don't usually write on typewriters.


"Exactly my idea," agreed Dr. Leslie, with evident satisfaction. "Now listen. Maitland was conscious almost up to the last moment, and yet the hospital doctors tell me they could not get a syllable of an ante-mortem statement from him."

"You mean he refused to talk?" I asked.

"No," he replied; "it was more perplexing than that. Even if the police had not made the usual blunder of arresting him for intoxication instead of sending him immediately to the hospital, it would have made no difference. The doctors simply could not have saved him, apparently. For the truth is, Professor Kennedy, we don't even know what was the matter with him."

Dr. Leslie seemed much excited by the case, as well he might be.

"Maitland was found reeling and staggering on Broadway this morning," continued the coroner. "Perhaps the policeman was not really at fault at first for arresting him, but before the wagon came Mainland was speechless and absolutely unable to move a muscle."

Dr. Leslie paused as he recited the strange facts, then resumed: "His eyes reacted, all right. He seemed to want to speak, to write, but couldn't. A frothy saliva dribbled from his mouth, but he could not frame a word. He was paralyzed, and his breathing was peculiar. They then hurried him to the hospital as soon as they could. But it was of no use."

Kennedy was regarding the doctor keenly as he proceeded. Dr. Leslie paused again to emphasize what he was about to say.

"Here is another strange thing. It may or may not be of importance, but it is strange, nevertheless. Before Maitland died they sent for his wife. He was still conscious when she reached the hospital, could recognize her, seemed to want to speak, but could neither talk nor move. It was pathetic. She was grief-stricken, of course. But she did not faint. She is not of the fainting kind. It was what she said that impressed everyone. 'I knew it—I knew it,' she cried. She had dropped on her knees by the side of the bed. 'I felt it. Only the other night I had the horrible dream. I saw him in a terrific struggle. I could not see what it was—it seemed to be an invisible thing. I ran to him—then the scene shifted. I saw a funeral procession, and in the casket I could see through the wood—his face—oh, it was a warning! It has come true. I feared it, even though I knew it was only a dream. Often I have had the dream of that funeral procession and always I saw the same face, his face. Oh, it is horrible—terrible!'"

It was evident that Dr. Leslie at least was impressed by the dream.

"What have you done since?" asked-Craig.

"I have turned loose everyone I could find available," replied Dr. Leslie, handing over a sheaf of reports.

Kennedy glanced keenly over them as they lay spread out on the table. "I should like to see the body," he said, at length.

It was lying in the next room, awaiting Dr. Leslie's permission to be removed.

"At first," explained the doctor, leading the way, "we thought it might be a case of knock-out drops, chloral, you know—or perhaps chloral and whiskey, a combination which might unite to make chloroform in the blood. But no. We have tested for everything we can think Of. In fact there seems to be no trace of a drug present. It is inexplicable. If Maitland really committed suicide, he must have taken something—and as far as we can find out there is no trace of anything. As far as we have gone we have always been forced back to the original idea that it was a natural death—perhaps due to shock of some kind, or organic weakness."

Kennedy had thoughtfully raised one of the lifeless hands and was examining it.

"Not that," he corrected. "Even if the autopsy shows nothing, it doesn't prove that it was a natural death. Look!"

On the back of the hand was a tiny, red, swollen mark. Dr. Leslie regarded it with pursed-up lips as though not knowing whether it was significant or not.

"The tissues seemed to be thickly infiltrated with a reddish serum and the blood-vessels congested," he remarked slowly. "There was a frothy mucus in the bronchial tubes. The blood was liquid, dark, and didn't clot. The fact of the matter is that the autopsical research revealed absolutely nothing but a general disorganization of the blood-corpuscles, a most peculiar thing, but one the significance of which none of us here can fathom. If it was poison that he took or that had been given to him, it was the most subtle, intangible, elusive, that ever came to my knowledge. Why, there is absolutely no trace or clue—"

"Nor any use in looking for one in that way," broke in Kennedy decisively. "If we are to make any progress in this case, we must look elsewhere than to an autopsy. There is no clue beyond what you have found, if I am right. And I think I am right. It was the venom of the cobra."

"Cobra venom?" repeated the coroner, glancing up at a row of technical works.

"Yes. No, it's no use trying to look it up. There is no way of verifying a case of cobra poisoning except by the symptoms. It is not like any other poisoning in the world."

Dr. Leslie and I looked at each other, aghast at the thought of a poison so subtle that it defied detection.

"You think he was bitten by a snake?" I blurted out, half incredulous.

"Oh, Walter, on Broadway? No, of course not. But cobra venom has a medicinal value. It is sent here in small quantities for various medicinal purposes. Then, too, it would be easy to use it. A scratch on the hand in the passing crowd, a quick shoving of the letter into the pocket of the victim—and the murderer would probably think to go undetected."

We stood dismayed at the horror of such a scientific murder and the meagerness of the materials to work on in tracing it out.

"That dream was indeed peculiar," ruminated Craig, before we had really grasped the import of his quick revelation.

"You don't mean to say that you attach any importance to a dream?" I asked hurriedly, trying to follow him.

Kennedy merely shrugged his shoulders, but I could see plainly enough that he did.

"You haven't given this letter out to the press?" he asked.

"Not yet," answered Dr. Leslie.

"Then don't, until I say to do so. I shall need to keep it."


THE cab in which we had come to the hospital was still waiting. "We must see Mrs. Maitland first," said Kennedy, as we left the nonplused coroner and his assistants.

The Maitlands lived, we soon found, in a large old-fashioned brownstone house just off Fifth Avenue.

Kennedy's card with the message that it was very urgent brought us in as far as the library, where we sat for a moment looking around at the quiet refinement of a more than well-to-do home.

On a desk at one end of the long room was a typewriter. Kennedy rose. There was not a sound of anyone in either the hallway or the adjoining rooms. A moment later he was bending quietly over the typewriter in the corner, running off a series of characters on a sheet of paper. A sound of a closing door upstairs, and he quickly jammed the paper into his pocket, retraced his steps, and was sitting quietly opposite me again.

Mrs. Maitland was a tall, perfectly formed woman of baffling age, but with the impression of both youth and maturity which was very fascinating. She was calmer now, and although she seemed to be of anything but a hysterical nature, it was quite evident that her nervousness was due to much more than the shock of the recent tragic event, great as that must have been. It may have been that I recalled the words of the note, "Dr. Ross has told me the nature of your illness," but I fancied that she had been suffering from some nervous trouble.

"There is no use prolonging our introduction, Mrs. Maitland," began Kennedy. "We have called because the authorities are not yet fully convinced that Mr. Maitland committed suicide."

It was evident that she had seen the note, at least. "Not a suicide?" she repeated, looking from one to the other of us.

"Mr. Masterson on the wire, ma'am," whispered a maid. "Do you wish to speak to him? He begged to say that he did not wish to intrude, but he felt that if there—"

"Yes, I will talk to him—in my room," she interrupted.

I thought that there was just a trace of well-concealed confusion, as she excused herself.

We rose. Kennedy did not resume his seat immediately. Without a word or look he completed his work at the typewriter by abstracting several blank sheets of paper from the desk.

A few moments later Mrs. Maitland returned, calmer.

"In his note," resumed Kennedy, "he spoke of Dr. Ross and—"

"Oh," she cried, "can't you see Dr. Ross about it? Really I—I oughtn't to be—questioned in this way—not now, so soon after what I've had to go through."

It seemed that her nerves were getting unstrung again. Kennedy rose to go.

"Later, come to see me," she pleaded. "But now—you must realize—it is too much. I cannot talk—I cannot."

"Mr. Maitland had no enemies that you know of?" asked Kennedy, determined to learn something now, at least.

"No, no. None that would—do that."

"You had had no quarrel?" he added.

"No—we never quarreled. Oh, Price—why did you? How could you?"

Her feelings were apparently rapidly getting the better of her. Kennedy bowed, and we withdrew silently. He had learned one thing. She believed or wanted others to believe in the note.

At a public telephone, a few minutes later, Kennedy was running over the names in the telephone book. "Let me see—here's an Arnold Masterson," he considered. Then turning the pages he went on, "Now we must find this Dr. Ross. There—Dr. Sheldon Ross—specialist in nerve diseases—that must be the one. He lives only a few blocks further up-town."

Handsome, well built, tall, dignified, in fact distinguished, Dr. Ross proved to be a man whose very face and manner were magnetic, as should be those of one who had chosen his branch of the profession.

"You have heard, I suppose, of the strange death of Price Maitland?" began Kennedy when we were seated in the doctor's office.

"Yes, about an hour ago." It was evident that he was studying us.

"Mrs. Maitland, I believe, is a patient of yours?"

"Yes, Mrs. Maitland is one of my patients," he admitted interrogatively. Then, as if considering that Kennedy's manner was not to be mollified by anything short of a show of confidence, he added: "She came to me several months ago. I have had her under treatment for nervous trouble since then, without a marked improvement."

"And Mr. Maitland," asked Kennedy, "was he a patient, too?"

"Mr. Maitland," admitted the doctor with some reticence, "had called on me this morning, but no, he was not a patient."

"Did you notice anything unusual?"

"He seemed to be much worried," Dr. Ross replied guardedly.

Kennedy took the suicide note from his pocket and handed it to him.

"I suppose you have heard of this?" asked Craig.

The doctor read it hastily, then looked up, as if measuring from Kennedy's manner just how much he knew. "As nearly as I could make out," he said slowly, his reticence to outward appearance gone, "Maitland seemed to have something on his mind. He came inquiring as to the real cause of his wife's nervousness. Before I had talked to him long I gathered that he had a haunting fear that she did not love him any more, if ever. I fancied that he even doubted her fidelity."

I wondered why the doctor was talking so freely, now, in contrast with his former secretiveness.

"Do you think he was right?" shot out Kennedy quickly, eying Dr. Ross keenly.

"No, emphatically, no; he was not right," replied the doctor, meeting Craig's scrutiny without flinching. "Mrs. Maitland," he went on more slowly as if carefully weighing every word, "belongs to a large and growing class of women in whom, to speak frankly, sex seems to be suppressed. She is a very handsome and attractive woman—you have seen her? Yes? You must have noticed, though, that she is really frigid, cold, intellectual."

The doctor was so sharp and positive about his first statement and so careful in phrasing the second that I, at least, jumped to the conclusion that Maitland might have been right, after all. I imagined that Kennedy, too, had his suspicions of the doctor.

"Have you ever heard of or used cobra venom in any of your medical work?" he asked casually.

Dr. Ross wheeled in his chair, surprised.

"Why, yes," he replied quickly. "You know that it is a test for blood diseases, one of the most recently discovered and used parallel to the old tests. It is known as the Weil cobra-venom test."

"Do you use it often?"

"N-no," he replied. "My practice ordinarily does not lie in that direction. I used it not long ago, once, though. I have a patient under my care, a well-known club-man. He came to me originally—"

"Arnold Masterson?" asked Craig.

"Yes—how did you know his name?"

"Guessed it," replied Craig laconically, as if he knew much more than he cared to tell. "He was a friend of Mrs. Maitland's, was he not?"

"I should say not," replied Dr. Ross, without hesitation. He was quite ready to talk without being urged. "Ordinarily," he explained confidentially, "professional ethics seals my lips, but in this instance, since you seem to know so much, I may as well tell more."

I hardly knew whether to take him at his face value or not. Still he went on: "Mrs. Maitland is, as I have hinted at, what we specialists would call a consciously frigid but unconsciously passionate woman. As an intellectual woman she suppresses nature. But nature does and will assert herself, we believe. Often you will find an intellectual woman attracted unreasonably to a purely physical man—I mean, speaking generally, not in particular cases. You have read Ellen Key, I presume? Well, she expresses it well in some of the things she has written about affinities. Now, don't misunderstand me," he cautioned. "I am speaking generally, not of this individual case."

I was following Dr. Ross closely. When he talked so, he was a most fascinating man.

"Mrs. Maitland," he resumed, "has been much troubled by her dreams, as you have heard, doubtless. The other day she told me of another dream. In it she seemed to be attacked by a bull, which suddenly changed into a serpent. I may say that I had asked her to make a record of her dreams, as well as other data, which I thought might be of use in the study and treatment of her nervous troubles. I readily surmised that not the dream, but something else, perhaps some recollection which it recalled, worried her. By careful questioning I discovered that it was—a broken engagement."

"Yes," prompted Kennedy.

"The bull-serpent, she admitted, had a half-human face—the face of Arnold Masterson!"

Was Dr. Ross desperately shifting suspicion from himself? I asked.

"Very strange—very," ruminated Kennedy. "That reminds me again. I wonder if you could let me have a sample of this cobra venom?"

"Surely. Excuse me; I'll get you some."


THE doctor had scarcely shut the door when Kennedy began prowling around quietly. In the waiting-room, which was now deserted, stood a typewriter.

Quickly Craig ran over the keys of the machine until he had a sample of every character. Then he reached into a drawer of the desk and hastily stuffed several blank sheets of paper into his pocket.

"Of course I need hardly caution you in handling this," remarked Dr. Ross, as he returned. "You are as well acquainted as I am with the danger attending its careless and unscientific uses."

"I am, and I thank you very much," said Kennedy.

We were standing in the waiting-room.

"You will keep me advised of any progress you make in the case?" the doctor asked. "It complicates, as you can well imagine, my treatment of Mrs. Maitland."

"I shall be glad to do so," replied Kennedy, as we departed.


AN hour later found us in a handsomely appointed bachelor apartment in a fashionable hotel overlooking the lower entrance to the Park.

"Mr. Masterson, I believe?" inquired Kennedy, as a slim, debonair, youngish-old man entered the room in which we had been waiting.

"I am that same," he smiled. "To what am I indebted for this pleasure?"

We had been gazing at the various curios with which he had made the room a veritable den of the connoisseur.

"You have evidently traveled considerably," remarked Kennedy, avoiding the question for the time.

"Yes, I have been back in this country only a few weeks," Masterson replied, awaiting the answer to the first question.

"I called," proceeded Kennedy, "in the hope that you, Mr. Masterson, might be able to shed some light on the rather peculiar case of Mr. Maitland, of whose death, I suppose, you have already heard."

"I?"

"You have known Mrs. Maitland a long time?" ignored Kennedy.

"We went to school together."

"And were engaged, were you not?"

Masterson looked at Kennedy in ill-concealed surprise.

"Yes. But how did you know that? It was a secret—only between us two—I thought. She broke it off—not I."

"She broke off the engagement?" prompted Kennedy.

"Yes—a story about an escapade of mine and all that sort of thing, you know—but, by Jove! I like your nerve, sir." Masterson frowned, then added: "I prefer not to talk of that. There are some incidents in a man's life, particularly where a woman is concerned, that are forbidden."


Illustration

"By Jove! I like your nerve, sir."


"Oh, I beg pardon," hastened Kennedy, "but, by the way, you would have no objection to making a statement regarding your trip abroad and your recent return to this country—subsequent to—ah—the incident which we will not refer to?"

"None whatever. I left New York in 1908, disgusted with everything in general, and life here in particular—"

"Would you object to jotting it down so that I can get it straight?" asked Kennedy. "Just a brief résumé, you know."

"No. Have you a pen or a pencil?"

"I think you might as well dictate it; it will take only a minute to run it off on the typewriter."

Masterson rang a bell. A young man appeared noiselessly.

"Wix," he said, "take this: 'I left New York in 1908, traveling on the Continent, mostly in Paris, Vienna, and Rome. Latterly I have lived in London, until six weeks ago, when I returned to New York.' Will that serve?"

"Yes, perfectly," said Kennedy, as he folded up the sheet of paper which the young secretary handed to him. "Thank you. I trust you won't consider it an impertinence if I ask you whether you were aware that Dr. Ross was Mrs. Maitland's physician?"

"Of course I knew it," Masterson replied frankly. "I have given him up for that reason, although he does not know it yet. I most strenuously object to being the subject of—what shall I call it?—his mental vivisection."

"Do you think he oversteps his position in trying to learn of the mental life of his patients?" queried Craig.

"I would rather say nothing further on that, either," replied Masterson. "I was talking over the wire to Mrs. Maitland a few moments ago, giving her my condolences and asking if there was anything I could do for her immediately, just as I would have done in the old days—only then, of course, I should have gone to her directly. The reason I did not go, but telephoned, was because this Ross seems to have put some ridiculous notions into her head about me. Now, look here; I don't want to discuss this. I've told you more than I intended, anyway."

Masterson had risen. His suavity masked a final determination to say no more.


THE day was far advanced after this series of very unsatisfactory interviews. I looked at Kennedy blankly. We seemed to have uncovered so little that was tangible that I was much surprised to find that apparently he was well contented with what had happened in the case so far.

"I shall be busy for a few hours in the laboratory, Walter," he remarked, as we parted at the subway. "I think, if you have nothing better to do, that you might employ the time in looking up some of the gossip about Mrs. Maitland and Masterson, to say nothing of Dr. Ross," he emphasized. "Drop in after dinner."

There was not much that I could find. Of Mrs. Maitland there was practically nothing that I already did not know from having seen her name in the papers. She was a leader in a certain set which was devoting its activities to various social and moral propaganda. Masterson's early escapades were notorious even in the younger smart set in which he had moved, but his years abroad had mellowed the recollection of them. He had not distinguished himself in any way since his return to set gossip afloat, or had any tales of his doings abroad filtered through to New York clubland. Dr. Ross, I found to my surprise, was rather better known than I had supposed, both as a specialist and as a man about town. He seemed to have risen rapidly in his profession as physician to the ills of society's nerves.

I was amazed after dinner to find Kennedy doing nothing at all.

"What's the matter?" I asked. "Have you struck a snag?"

"No," he replied slowly, "I was only waiting. I told them to be here between half-past eight and nine."

"Who?" I queried.

"Dr. Leslie," he answered. "He has the authority to compel the attendance of Mrs. Maitland, Dr. Ross, and Masterson."

The quickness with which he had worked out a case which was, to me, one of the most inexplicable he had had for a long time, left me standing speechless.


ONE by one they dropped in during the next half-hour, and, as usual, it fell to me to receive them and smooth over the rough edges which always obtruded at these little enforced parties in the laboratory.

Dr. Leslie and Dr. Ross were the first to arrive. They had not come together, but had met at the door. I fancied I saw a touch of professional jealousy in their manner, at least on the part of Dr. Ross. Masterson came, as usual ignoring the seriousness of the matter and accusing us all of conspiring to keep him from the first night of a light opera which was opening somewhat ahead of the season. Mrs. Maitland followed, the unaccustomed pallor of her face heightened by the plain black dress. I felt most uncomfortable, as indeed I think the rest did. She merely inclined her head to Masterson, seemed almost to avoid the eye of Dr. Ross, glared at Dr. Leslie, and absolutely ignored me.

Craig had been standing aloof at his laboratory table, beyond a nod of recognition paying little attention to anything. He seemed to be in no hurry to begin.

"Great as science is," he commenced, at length, "it is yet far removed from perfection. There are, for instance, substances so mysterious, subtle, and dangerous as to set the most delicate tests and powerful lenses at naught, while they carry death most horrible in their train."

He could scarcely have chosen his opening words with more effect.

"Chief among them," he proceeded, "are those from nature's own laboratory. There are some sixty species of serpents, for example, with deadly venom. Among these, as you doubtless have all heard, none has brought greater terror to mankind than the cobra-di-capello, the Naja tripudians of India. It is unnecessary for me to describe the cobra or to say anything about the countless thousands who have yielded up their lives to it. I have here a small quantity of the venom"—he indicated it in a glass beaker. "It was obtained in New York, and I have tested it on guinea-pigs. It has lost none of its potency."

I fancied that there was a feeling of relief when Kennedy by his actions indicated that he was not going to repeat the test.

"This venom," he continued, "dries in the air into a substance like small scales, soluble in water but not in alcohol. It has only a slightly acrid taste and odor, and, strange to say, is inoffensive on the tongue or mucous surfaces, even in considerable quantities. All we know about it is that in an open wound it is deadly swift in action."

It was difficult to sit unmoved at the thought that before us, in only a few grains of the stuff, was enough to kill us all if it were introduced into a scratch of our skin.

"Until recently chemistry was powerless to solve the enigma, the microscope to detect its presence, or pathology to explain the reason for its deadly effect. And even now, about all we know is that autopsical research reveals absolutely nothing but the general disorganization of the blood corpuscles. In fact, such poisoning is best known by the peculiar symptoms—the vertigo, weak legs, and falling jaw. The victim is unable to speak or swallow, but is fully sensible. He has nausea, paralysis, an accelerated pulse at first followed rapidly by a weakening, with breath slow and labored. The pupils are contracted, but react to the last, and he dies in convulsions like asphyxia. It is both a blood and a nerve poison."

As Kennedy proceeded, Mrs. Maitland never took her large eyes from his face.

Kennedy now drew from a large envelope in which he protected it, the typewritten note which had been found on Maitland. He said nothing about the "suicide" as he quietly began a new line of accumulating evidence.

"There is an increasing use of the typewriting machine for the production of spurious papers," he began, rattling the note significantly. "It is partly due to the great increase in the use of the typewriter generally, but more than all is it due to the erroneous idea that fraudulent typewriting cannot be detected. The fact is that the typewriter is perhaps a worse means of concealing identity than is disguised handwriting. It does not afford the effective protection to the criminal that is supposed. On the contrary, the typewriting of a fraudulent document may be the direct means by which it can be traced to its source. First we have to determine what kind of machine a certain piece of writing was done with, then what particular machine."

He paused and indicated a number of little instruments on the table.

"For example," he resumed, "the Lovibond tintometer tells me its story of the color of the ink used in the ribbon of the machine that wrote this note as well as several standard specimens which I have been able to obtain from three machines on which it might have been written.

"That leads me to speak of the quality of the paper in this half-sheet that was found on Mr. Maitland. Sometimes such a half-sheet may be mated with the other half from which it is torn as accurately as if the act were performed before your eyes. There was no such good fortune in this case, but by measurements made by the vernier micrometer caliper I have found the precise thickness of several samples of paper as compared to that of the suicide note. I need hardly add that in thickness and quality, as well as in the tint of the ribbon, the note points to one person as the author."

No one moved.

"And there are other proofs—unescapable," Kennedy hurried on. "For instance, I have counted the number of threads to the inch in the ribbon, as shown by the letters of this note. That also corresponds to the number in one of the three ribbons."

Kennedy laid down a glass plate peculiarly ruled in little squares.

"This," he explained, "is an alignment test plate, through which can be studied accurately the spacing and alignment of typewritten characters. There are in this pica type ten to the inch horizontally and six to the inch vertically. That is usual. Perhaps you are not acquainted with the fact that typewritten characters are in line both ways, horizontally and vertically. There are nine possible positions for each character which may be assumed with reference to one of these little standard squares of the test plate. You cannot fail to appreciate what an immense impossibility there is that one machine should duplicate the variations out of the true which the microscope detects for several characters on another.

"Not only that, but the faces of many letters inevitably become broken, worn, battered, as well as out of alignment, or slightly shifted in their position on the type bar. The type faces are not flat, but a little concave to conform to the roller. There are thousands of possible divergences, scars, and deformities in each machine.

"Such being the case," he concluded, "typewriting has an individuality like that of the Bertillon system, finger-prints, or the portrait parlé."

He paused, then added quickly: "What machine was it in this case? I have samples here from that of Dr. Ross, from a machine used by Mr.. Masterson's secretary, and from a machine which was accessible to both Mr. and Mrs. Maitland."

Kennedy stopped, but he was not yet prepared to relieve the suspense of two of those whom his investigation would absolve.

"Just one other point," he resumed mercilessly, "a point which a few years ago would have been inexplicable—if not positively misleading and productive of actual mistake. I refer to the dreams of Mrs. Maitland."

I had been expecting it, yet the words startled me. What must they have done to her? But she kept admirable control of herself.

"Dreams used to be treated very seriously by the ancients, but until recently modern scientists, rejecting the ideas of the dark ages, have scouted dreams. To-day, however, we study them scientifically, for we believe that whatever is, has a reason. Dr. Ross, I think, is acquainted with the new and remarkable theories of Dr. Sigmund Freud, of Vienna?"

Dr. Ross nodded. "I dissent vigorously from some of Freud's conclusions," he hastened.

"Let me state them first," resumed Craig. "Dreams, says Freud, are very important. They give us the most reliable information concerning the individual. But that is only possible"—Kennedy emphasized the point—"if the patient is in entire rapport with the doctor.

"Now, the dream is not an absurd and senseless jumble, but a perfect mechanism and has a definite meaning in penetrating the mind. It is as though we had two streams of thought, one of which we allow to flow freely, the other of which we are constantly repressing, pushing back into the subconscious, or unconscious. This matter of the evolution of our individual mental life is too long a story to bore you with at such a critical moment.

"But the resistances, the psychic censors of our ideas, are always active, except in sleep. Then the repressed material comes to the surface. But the resistances never entirely lose their power, and the dream shows the material distorted. Seldom does one recognize his own repressed thoughts or unattained wishes. The dream really is the guardian of sleep to satisfy the activity of the unconscious and repressed mental processes that would otherwise disturb sleep by keeping the censor busy. In the case of a nightmare the watchman or censor is aroused, finds himself overpowered, so to speak, and calls on consciousness for help.

"There are three kinds of dreams—those which represent an unrepressed wish as fulfilled, those that represent the realization of a repressed wish in an entirely concealed form, and those that represent the realization of a repressed wish in a form insufficiently or only partially concealed.

"Dreams are not of the future, but of the past, except as they show striving for unfulfilled wishes. Whatever may be denied in reality we nevertheless can realize in another way—in our dreams. And probably more of our daily life, conduct, moods, beliefs than we think, could be traced to preceding dreams."

Dr. Ross was listening attentively, as Craig turned to him. "This is perhaps the part of Freud's theory from which you dissent most strongly. Freud says that as soon as you enter the intimate life of a patient you begin to find sex in some form. In fact, the best indication of abnormality would be its absence. Sex is one of the strongest of human impulses, yet the one subjected to the greatest repression. For that reason it is the weakest point in our cultural development. In a normal life, he says, there are no neuroses. Let me proceed now with what the Freudists call the psychoanalysis, the soul-analysis, of Mrs. Maitland."

It was startling in the extreme to consider the possibilities to which this new science might lead, as he proceeded to illustrate it.

"Mrs. Maitland," he continued, "your dream of fear was a dream of what we call the fulfilment of a suppressed wish. Moreover, fear always denotes a sexual idea underlying the dream. In fact, morbid anxiety means surely unsatisfied love. The old Greeks knew it. The gods of fear were born of the goddess of love. Consciously you feared the death of your husband because unconsciously you wished it."

It was startling, dramatic, cruel, perhaps, merciless—this dissecting of the soul of the handsome woman before us; but it had come to a point where it was necessary to get at the truth.

Mrs. Maitland, hitherto pale, was now flushed and indignant. Yet the very manner of her indignation showed the truth of the new psychology of dreams, for, as I learned afterward, people often become indignant when the Freudists strike what is called the "main complex."

"There are other motives just as important," protested Dr. Ross. "Here in America the money motive, ambition—"

"Let me finish," interposed Kennedy. "I want to consider the other dream also. Fear is equivalent to a wish in this sort of dream. It also, as I have said, denotes sex. In dreams animals are usually symbols. Now, in this second dream we find both the bull and the serpent, from time immemorial, symbols of the continuing of the life-force. Dreams are always based on experiences or thoughts of the day preceding the dreams. You, Mrs. Maitland, dreamed of a man's face on these beasts. There was every chance of having him suggested to you. You think you hate him. Consciously you reject him; unconsciously you accept him. Any of the new psychologists who knows the intimate connection between love and hate, would understand how that is possible. Love does not extinguish hate; or hate, love. They repress each other. The opposite sentiment may very easily grow."

The situation was growing more tense as he proceeded. Was not Kennedy actually taxing her with loving another?

"The dreamer," he proceeded remorselessly, "is always the principal actor in a dream, or the dream centers about the dreamer most intimately. Dreams are personal. We never dream about matters that really concern others, but ourselves.

"Years ago," he continued, "you suffered what the new psychologists call a 'psychic trauma'—a soul-wound. You were engaged, but your censored consciousness rejected the manner of life of your fiance. In pique you married Price Maitland. But you never lost your real, subconscious love for another."

He stopped, then added in a low tone that was almost inaudible, yet which did not call for an answer, "Could you—be honest with yourself, for you need say not a word aloud—could you always be sure of yourself in the face of any situation?"

She looked startled. Her ordinarily inscrutable face betrayed everything, though it was averted from the rest of us and could be seen only by Kennedy. She knew the truth that she strove to repress; she was afraid of herself.

"It is dangerous," she murmured, "to be with a person who pays attention to such little things. If everyone were like you, I would no longer breathe a syllable of my dreams."

She was sobbing now.

What was back of it all? I had heard of the so-called resolution dreams. I had heard of dreams that kill, of unconscious murder, of the terrible acts of the subconscious somnambulist of which the actor had no recollection in the waking state until put under hypnotism. Was it that which Kennedy was driving at disclosing?

Dr. Ross moved nearer to Mrs. Maitland as if to reassure her. Craig was studying attentively the effect of his revelation both on her and on the other faces before him.

Mrs. Maitland, her shoulders bent with the outpouring of the long-suppressed emotion of the evening and the tragic day, called for sympathy which, I could see, Craig would readily give when he had reached the climax he had planned.

"Kennedy," exclaimed Masterson, pushing aside Dr. Ross, as he bounded to the side of Mrs. Maitland, unable to restrain himself longer, "Kennedy, you are a faker—nothing but a damned dream doctor—in scientific disguise."

"Perhaps," replied Craig, with a quiet curl of the lip. "But the threads of the typewriter ribbon, the alignment of the letters, the paper, all the 'finger-prints' of that typewritten note of suicide were those of the machine belonging to the man who caused the soul-wound, who knew Madeline Maitland's inmost heart better than herself—because he had heard of Freud undoubtedly, when he was in Vienna—who knew that he held her real love still, who posed as a patient of Dr. Ross to learn her secrets as well as to secure the subtle poison of the cobra. That man, perhaps, merely brushed against Price Maitland in the crowd, enough to scratch his hand with the needle, shove the false note into his pocket—anything to win the woman who he knew loved him, and whom he could win. Masterson, you are that man!"


THE END


Roy Glashan's Library
Non sibi sed omnibus
Go to Home Page
This work is out of copyright in countries with a copyright
period of 70 years or less, after the year of the author's death.
If it is under copyright in your country of residence,
do not download or redistribute this file.
Original content added by RGL (e.g., introductions, notes,
RGL covers) is proprietary and protected by copyright.